Many of us were taught that if we were intellectually rigorous and honest, we’d approach the truth, but what if it wasn’t so simple? What if we can be wrong because we are intellectually disciplined? The Conflict of Mind will explore this possibility and argue that it is not enough to be a good thinker: we also need the right mental models. But even if our epistemology is advanced, there are problems we cannot escape.
Essays in this collection will explore topics like how what we believe is right is organized by what we believe is true, and yet our capacities to know the truth are essentially limited. We need falsification to think for ourselves without going mad, but not everything true is falsifiable. To avoid repeating history, we need to be motivated to change how we act, but ideas are never as motivational as experiences, and once we begin experiencing a repetition of history, it’s too late. We need philosophy to avoid bigotry and totalitarianism, but philosophy itself can become a source of bigotry and totalitarianism.
To live with a brain is to live with a problem, and if we solve the problem, we’ll lose our minds. The brain is a challenge that must instead be managed—learning how to manage it will require our very best. The hope of these essays is to help.
“A phenomenology of lacks” is an “art-form” that maps out what it’s like to experience something that’s not entirely there or not always around but that was nevertheless apprehended. What kind of world are we in where this kind of mystery unfolds? Hard to say, but the answer will not be found in a purely physical consideration of reality. As hard as we’ve tried to escape it, we must return to metaphysics, but if we do, we might find a freedom there we long forgot that we possessed.
Metaphysics seems to be a study of what is “non-physical,” with a special focus on the “forms” that render matter intelligible. Phenomenology, on the other hand, is primarily an act of apprehension and “moments” versus an act of judgment and systematizing. Metaphysics has a long history of being associated with “systems building,” so what does phenomenology have to do with metaphysics? In this treatise, which arose from the discussions of Thomas Jockin, Javier Rivera, and O.G. Rose, it’s argued that phenomenology is the key methodology for “the new metaphysics.”
Didn’t Derrida deconstruct all metaphysics? Only metaphysics which rely on “ontological gaps,” but there is a whole world to be found in the realm of “metaphysical apprehensions.” Apprehensions are primarily based on the act of perceiving the world versus the act of thinking about it, a distinction the treatise elaborates on. Still, thinking plays a role, because what we can experience in perception are quick moments and “glimmers” that are gone just as soon as we notice them. To keep those moments in mind, we must think about them, which means we must focus on “lacks.” Lacks are not nothing, and how they are distinct is a main concern of the treatise.
A Completely New Approach to Making Music
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While at the University of Virginia, Rose spent several years working collaboratively with other artists at Eunoia, a creative community Rose helped develop in Charlottesville, Virginia. Rose now lives on a farm, manages a wedding venue named Mead Lake, operates Frozen Glory Photography, and teaches piano using visuals from Rose's Pattern Method.
A finalist for the 2020 UNO Press Lab Prize and 46th Pushcart Nominee, Rose’s creative works appear at The Write Launch, Allegory Ridge, Streetlight Magazine, Ponder Review, Iowa Review online, The William and Mary Review, Assure Press, Toho Journal online, West Trade Review, ellipsis, Poydras Review, O:JA&L, Burningword, and Broken Pencil.
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If anyone is interested in works by O.G. Rose but financially unable to contribute, please send Rose an email and Rose will happily accommodate.